Agency: DraftFCB, Venezuela
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A new mix of Paul Pre bringing you the best beats of 2008.
01. Sir OJ - Beat 01
02. Duktus - Purple Clouds
03. Madvillain - Shadow of Tomorrow (Flying Lotus remix)
04. Harmonic 313 - Call to Arms
05. Fulgeance - Rubiscube
06. Danny Breaks - Jellyfish
07. Hearin’ Aid - Thee Shit
08. Abstract - Abstract Circus
09. Milez Benjiman - Chop that Wood
10. Waajeed - Fire
11. VeeBeeO - Cast
12. Sir OJ - Goal Banger
13. Pêche Noire - Cacahuète
14. Sa-Ra - Forever
15. J Bless - Speaking with Rhythmes
16. Heralds of Change - Callin’ Shots
17. Lewis McCallum - Fly or Die
18. J Todd - AAAA
19. B.Bravo - Midnite
20. fLako - wtfigoh
21. Flying Lotus - Rickshaw
22. Sir OJ - Beat 14
23. Dal Gren - Call the Police
24. Frank n Dank - Clap your Hands (Morgan Spacek remix)
25. Hearin’ Aid - Pop 4
26. Umod - Rest with U (Mapa Remix)
27. Danny Breaks - Duck Rock (Zoostrumental)
With classic styling and impressive execution, N4E1 has dropped yet another awe-inspiring collection of premium street fashion goodness. The Hong Kong label’s Holiday 2008 line consist of jackets, flannels, cut & sew pieces, and denim all impeccably designed with a clean, mature aesthetic in mind. Without a doubt, this is one of the finest collections released this season. Available now.
The creative minds at Reebok have unleashed this astonishing new concept store on the Bowery in New York City. The iconic footwear brand’s Pop-Up Shop will be home to an extensive array of exclusive products, ranging from limited edition NYC-inspired sneakers to a line of artist-designed tees. New items will be arriving each of the four weeks the store is open, so make an effort to hit up 169 Bowery before it closes for good on December 14th.
I don’t get a chance to see my girl too much… So when an opportunity pops up i jump on it.
Check out my Madrid in a flash!
Clock shows 12 something… but i arrived a few hours before.
I brought her some gifts from the LJ camp. posters printed by Upendo and I.
Used to be a nice view before the construction.
This past weekend was the first in a while that we didn’t have anything to do. S what do i do… Jump on a plane to spend 14 hours flying back in forth from Madrid to New York only to spend 24 hours with her!
When i got in town i saw that Beautiful loser was exhibiting in Madrid… and although i didn’t have time to go see the show. i did notice and documented all the new street graphics around town.
Calle Mayor
As soon as we leave her house… we run right into the middle of protest for the Sahara!
5-0 walking away from the protest.
Then they get wild!!
Every one loves a Policia tank in the middle of the city!
Chimays at her favorite Belgium bar a couple of her work mates!
Michelle
Yakshi aka (Yakshizzzle)
Brook
Dinner time! As many times as i’ve been to Madrid… i’ve been hearing about Toni’s…
I’m not a huge foods documentarian… so when i 3-4 inch steak gets placed in front of me… i tend to forget about taking photos and i pick up my knife and start cutting.
On to the Free shots!
She’s so happy i’m here!
Michelle and Toni himself
We did go out to a few places after dinner… but i was too drunk by then to take photos!
10am sunday morning… back at the airport.
“Amanda and Le Messie wanted to know when we goin there…” -Lupe Fiasco “Paris/Tokyo”. To all those that really didn’t know what Lupe was talking about in that rhyme, he was referring to the duo that makes up FALSE. Known for their extreme detail and hand finishing, FALSE is now taking the minimalistic approach by releasing only 3 tees for season 6. The new season is based off a micro novel written by the duo and the fellas at VNRGD. To get your hands on some history, mosey on down to the FALSE online shop and live it up!
Info.Image:Â FALSE
HomeRoom is arguably the king of cut & sew in the streetwear world. The tailoring craft has been passed down from generation to generation and the Fall/Winter 08 line is definitely no diss to the grandparents. Focusing on well tailored and engineered garments, the offering is full of sweaters, hoodies, flannels & jackets with crazy details and thought. Zippers have made a strong showing in the lineup and other impressive details like thumb-holes in the cuffs are much appreciated. For that more refined/street look… stateside, get this collection ASAP.
Looking for a more limited “boutique” type of vinyl figure? Well look no further and say hello to Jeffery. This 50 piece limited edition of Jeffery is actually cast in resin and painstakingly hand painted. To accompany this critter, there is also a 4×5.5 print that can be purchased together for $75. The print is also available by itself, if you happen to miss out on the figure. These go on sale this Thursday 11/20, exclusively at the Hello, Brute online shop.
Info.Image:Â Hello, Brute
Not long ago we wrote about New York City's tech-enabled Pod Hotel, and now across the ocean comes a like contender that takes the technology focus even further.
Located in the Saint Blaise neighbourhood of Paris's 20th arrondissement, Mama Shelter has equipped each of its 172 rooms with a 24-inch Apple iMac multimedia center. Gone is the oft-seen (but rarely enjoyed) web access through TV; rather, guests can enjoy HDTV, music, radio, CDs, films, DVDs and of course Internet, all through their in-room computer. Computer monitors are also built into an oversized table in Mama Shelter's entryway, as well as into columns throughout the hotel; wifi, of course, is freely available too. Through a partnership with French tech provider DirectStreams, meanwhile, Mama Shelter offers what it calls the iBooth—also based on the iMac—giving guests the opportunity to make their mark on the hotel by taking instant pictures and seeing them distributed in the lobby and rooms.
Created by the Trigano family—founders of Club Med—along with Parisian philosopher Cyril Aouizerate and designer Philippe Starck, Mama Shelter combines modern, technology-enabled accommodation with a friendly, communal vibe. Each morning a board lists local cultural events, and a variety of live performances take place in the hotel as well. Dining options range from a communal table to cold cabinets stocked with meals available for in-room candlelight dining 24/7. Mama Shelter's rooms vary from 15 square meters to 35 square meters, priced starting at EUR 79 per night—very affordable by Parisian standards.
By replacing the ubiquitous in-room TV with the multimedia iMac, Mama Shelter not only mimics the same type of shift going on in many homes, it also ups the ante for hotels in urban centers around the world. Hoteliers: one to emulate! (Related: High design, low touch hotel — New no-frills chic hotel chain opens in Amsterdam.)
Website: www.mamashelter.com
Contact: www.mamashelter.com/contact-us
Spotted by: Murtaza Ali Patel
Free love can be dispersed in many ways, whether to all those who happen to be in the right place at the right time or to a select group of qualified recipients. Much like SOOPZ, a network through which food bloggers can sign up for the chance to receive free samples, Gitchers is a new site that allows consumers to sign up for the chance to receive a free, branded T-shirt.
Gitchers is essentially a database of people who want free T-shirts, either for themselves or for their dogs (special canine T-shirts are distributed through the site as well). To sign up, consumers tell Gitchers what type of shirt they're interested in—featuring the logo of a favourite brand or website, for example—along with key demographic information such as their birthday, gender and location. (Each Gitchers account is associated with only one T-shirt request, so users must create separate accounts—using distinct e-mail addresses for each—to request more than one type.) Participating companies, meanwhile, tell Gitchers what types of consumers they'd like their T-shirts to be sent to—women aged 35 to 50 in Columbus, Ohio, for example—and pay USD 10.99 each for a minimum of 100 shirts. The first Gitchers users in the database meeting the advertiser's criteria are then the lucky ones to receive the shirts.
There's no arguing with the power of free love, so it seems likely that there will be increasing opportunities for companies that serve as intermediaries, making the distribution effort more targeted. Consumers get free stuff, companies get targeted advertising, and the world just gets more love! ;-)
Website: www.gitchers.com
Contact: www.gitchers.com/email.php
Mishka have just dropped these snapback caps as part of their Holiday 2008 line. With classic retro styling, the hats have the name of Mishka’s fictional team, the “Death Adders,” written across the front, as well as the brand’s beloved bear graphic stitched on the side. Available now in either Green/Red or Black/Pink over at Mishka’s online store.
This Thursday, Brooklyn’s YUME Gallery will open the much-anticipated “I Would Spit On Your Sneakers,” a group show by French art collective Le Tapin. Curated by Sabrina Yo’land & MEGA, the exhibition seeks to critically deconstruct the idea of sneakers in a post-modern society through a wide variety of mediums and styles. “I Would Spit On Your Sneakers” opens November 20th, and runs through December 3rd. YUME Gallery is located at 925 Bergen St. Loft 406 (Between Franklin & Classin), Brooklyn, NY.
Agency: Bronx, Brazil
Creative Director: Alexandre Silveira
Art Directors: Keith Lauer, Enzo Giacomin
Copywriter: Fábio Duarte
Jason Tozer’s been at it again. His photographs of bubbles, presented here on the CR blog, formed one of our most popular posts. Now he takes a (very) close look at water drops.
In the latest in our series of CR Commissions (our joint projects with commercial partners) Tozer was once again asked to shoot a series of pictures on behalf of Sony, this time using its new Alpha 900 digital SLR camera. His subject: water droplets.
Clicking on each image will take you to the much larger version, housed on the CR Flickr page. The full set, including more like these, is here.
As the camera has a very high number of megapixels (24.6, making it, Sony says, the highest resolving DSLR) the idea was to shoot an object and crop into a section of the photograph to show the detail. In this way, Tozer was able to create the first image in this post (top) by extracting it from the larger image, shown below.
“You dont really take a picture and think, ‘look at the resolution on this!’” Tozer says. “The times you need a hi-res chip are when you want to crop into an action shot – cut into it and know you have enough left for a useable file. We shot something very detailed this time, so that if you isolate a section of a larger picture, there’s still enough information there that the new image isn’t breaking up.”
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“I’m shooting with three different light sources in three different colours, with different speeds of flash on each colour,” says Tozer.
“The green light shows the droplet sharp, the red light captures it moving, giving it an ethereal quality. Then we brought in the yellow-white tungsten light. Using them all means that some of the image is sharp, some is moving. It’s like the water’s on fire.”
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“With the shutter open more, you get these really long fiery trails,” says Tozer. “Some droplets look like they have smoke coming out of them…”
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As often the case with Tozer’s work, the set-ups used to generate the photographs are quite low-tech in their construction. Here, for example, are some behind the scenes pics of Tozer and his assistant creating this current series of images.
A shower head, connected via a long hose to the studio’s kitchen tap, was held over a tray made from black bin bags that emptied the water into a dustbin
Tozer used three different flash lights (including one tungsten, above) during the shoot. Setting the water pressure at the correct level, he can capture the spray ascending and descending in the same shot
The two lights in the background have red and green filters on them. After each shot is taken it is displayed on Tozer’s computer (out of shot) via a USB connection
More info on the camera can be found here.
“Change” is everywhere these days. It’s become so chic that we often forget who we are sometimes. Instead of preserving our best self—regardless of what cynics say—we trade it in for whatever’s convenient. Aegis Apparel, a life style brand out of Los Angeles, California, is here to fix all that. Started this past June, the company strives to maintain and promote one’s identity—be it hipster boogie or vintage gangsta, Aegis realizes you are your own definition of art. Format recently spoke with Joshua Kwak, Aegis Apparel’s sales and operations director, about how the brand adapts to the changing world around it. “The reality is I am just like everyone who buys the clothes; I want my identity and my place too,” says Kwak. Translation: “Do you.”
“…We don’t want to be a greed-driven brand. We want to throw philanthropic events.”
Format: Aegis Apparel is fairly new to the streetwear industry. Why even create a clothing line with so many already in existence?
Aegis Apparel: We created Aegis because although there are a lot of clothing lines, we felt a lot of work going into those designs were simple vector patterns and color arrangements.
We really wanted to bring in a line that infused true artistry in design and raise questions in the minds of those who looked at it. Many of our designs attempt to carry some social commentary or a pun, in a sense. With the aforementioned aside, a lot of the street wear lines also seem like they talk the talk, but are not walking the walk. We want our blog to cultivate culture and bring to light everything that is going on in the scene, musically, artistically, fashion-wise, and even what other blogs might be saying. We wanted to develop culture and we certainly have a vision to upgrade the events we do throw to include DJ performances, hip hop performances, live artists painting, visual DJ’s, clothing sales and a photo booth: the “one-stop” culture shop. On top of that, eleven percent of every sale is donated to charity. We, in general, want to produce something that gives to as many people as possible.
Format: Maybe that was presumptive of me; do you consider Aegis Apparel a “streetwear” brand?
Aegis Apparel: We consider Aegis to be a lifestyle brand. We want to create a strong identification and a sense of familial binding with our community, clients, or family members, if you will. But, it wasn’t presumptive because we benchmark against other “streetwear” clothing lines and it most closely resembles that.
Format: So what really sets Aegis Apparel apart from other brands similar in style?
Aegis Apparel: What sets Aegis Apparel apart is what we are trying to accomplish. We want strong ties with musicians, artists, authors, photographers; you name it. People who are trying make it. We want to cultivate their work, and present them in the form of events for everyone to come out and enjoy. We sincerely feel like art is the soul speaking, without it insanity ensues. On top of that, we don’t want to be a greed-driven brand. We want to throw philanthropic events. Our first event we sold raffle tickets for eleven different T-shirt designs and all the money went to fighting leukemia and lymphoma. Every sale donates money to Nothing but Nets (www.nothingbutnets.net), a non-profit organization that tries to fight malaria in Africa.
Format: Tell us about your creative process a little bit. Where do your ideas come from?
Aegis Apparel: Our designs come from everything and anything. What we think might look cool, to what we wanted answered or questioned. For example, the “4-Colour Camo” [picture 2] is more of a two part question. We were talking about army fatigues, and Eric, our art director, is suddenly like, “Man, the fatigue for the scene nowadays is a lot of colours; kind of the antithesis of being covert.” Then he made the design. “Freetility” [picture 1] is something we discussed and made in pieces, it was kind of taken from a design Eric had made early in the year of an image of Jesus crucified on a wooden dollar. I loved the concept of that, and asked what we could do to tone the image down but have a similar kind of message. We started swapping ideas and soon we came to the idea of “Freetility.” It’s not what you know; it’s how you play it. Another example is “101 Babies” [pictures 3 and 4]. That was a series of photos Eric took that he thought looked cool. The three of us collaborated and Eric put those images together- our homage to Los Angeles- our home.
Format: Tell us a little bit about the line that’s out right now.
Aegis Apparel: With this line, we tried to approach it in a very broad sense; there are designs [in] there that range in styles and colour schemes. We wanted to present that and chart what really works, and then work that into the next line. Currently we are looking to expand and bring in some hoodies for winter and maybe some accessories. There really is only one theme we tried to push and that was preservation of art and culture.
Format: In terms of a theme, what do you have in mind for your upcoming collections—both the men’s and women’s?
Aegis Apparel: I think this next line will be more of the same: social commentary, hidden messages, where politics is going, the economy, and maybe things that are just aesthetically stimulating. We try to pose a question for every design, so by that measure the themes are based on what is happening in our culture and socially. The main thing is we want to make sure we are in some way protecting culture and art. That is the theme for everything we are trying to do. Aegis stands for protection- and as such- our motto is built of that.
Format: Building a brand is what it’s really about these days. What plans do you have for expanding the Aegis Apparel brand?
Aegis Apparel: Currently, we are using a lot of grass roots and guerilla marketing tactics.
We are having commercials made, and will be using those as a viral marketing tool. We have teamed with Chitini.com, and established a storefront there. In addition to those things mentioned, we have been throwing events and have been really trying to establish ourselves as the brand that is out there living it with the people who are living it. The reality is: I am just like everyone who buys the clothes; I want my identity and my place too.
Format: Ultimately, what’s the goal for Aegis Apparel?
Aegis Apparel: Our ultimate goal is to offer a full line of clothing ranging from jeans, to jackets and accessories. We also want a regularly updated blog spot that discusses everything culture. We want to give back to charities and give back to the community. Finally, we want to promote and throw events that work as an intersection for many avenues and artistic roads.
Format: If we could only print one thing about Aegis, what would you want Format readers to know?
Aegis Apparel: Protect what you believe in; it’s your identity.
More Info: [www.aegisapparel.com]
Four seminal visual arts texts by Bruno Munari, Marshall McLuhan, Susan Sontag and
John Berger have been republished as part of Penguin’s ongoing project to honour its
design heritage.
The books, reissued as part of the Penguin on Design series, include Munari’s 1965 book, Design As Art; McLuhan’s 1967 classic, The Medium is the Massage; Berger’s seminal Ways Of Seeing from 1972; and Sontag’s 1977 essay, On Photography.
Penguin Press art director Jim Stoddart explains the thinking behind the re-releases: “Part of Penguin’s creative publishing direction includes refreshing some classic creative texts that still sell many thousands of copies each year, despite their tired covers and designs that haven’t been touched for decades.
“I approached Yes Design to work on unifying these four books into a timeless and dignified series, while also taking much care to complement the integrity of the original texts.”
For Ways of Seeing, Yes attempted to reassert the book’s unconventional format (originally designed in 1972 by Richard Hollis) including his famous cover that featured the first half-page of the book’s text.
“It was originally the intention that the inside text would follow seamlessly from the cover,” explains Stoddart, “but the publishing conventions at the time resulted in the text starting again after the usual copyright and title pages. In this new edition we’ve at last made this possible, while retaining the fundamentals of Hollis’s original design.”
With McLuhan’s book, Penguin have also honoured the famous spelling mistake on the cover. According to marshallmcluhan.com, when the author saw the typesetter’s error (”message” as “massage”), he exclaimed, “Leave it alone! It’s great, and right on target!”.
All four are available now: more visual arts titles are promised for the future.
More info at penguin.co.uk
ONEDOTZERO a/v departures: live cinema triple bill
the light surgeons + d-fuse + hexstatic
[ 2045.15.11.08 @ BFI IMAX London ]
exclusive reportage from our secret correspondant
[+ pics by sal of CF]
the light surgeons present true fictions / new adventures in folklore
“a visual and musical essay on how places take their identity from the collective narratives and histories of people and city. exploring truth and myth through the voices and musical collaborations of upstate new yorkers in troy, home to uncle sam.” - avfolklore.blogspot.com
“…a kind of documentary – albeit one that you are unlikely to have seen the likes of before… dazzling fusion of film, digital art, photography and music” - the guardian
d-fuse present surface
“created for the onedotzero / british council project re-imagining the city. this moving image odyssey captures the essence of urban expansion in ten cities in asia, visually exploring this transforming region in a vital and extraordinary work.”- dfuse.com
“breaking down the core of a city is the passion for d-fuse and onedotzero… rogues in the creative field with means to express their creative energy” - bangkok post
hexstatic / retrospective remix
Couldn’t grab a pic of the hexstatic set because I couldn’t refrain my hands from tappin … so you’ll have to make do with their ‘Pulse’ video:
“leading lights in the world where beats and pictures meet, instrumental in pushing technology forward. quite frankly you’ll be too busy enjoying hexstatic’s perfectly synched mash up of can’t-stand-still beats and laugh out loud clips.” - big chill
the REVIEW:
the light surgeons set was seriously cool - they had a MAD amount of kit laid out on the tables down at the front: infrared cams everywhere, a live musician on guitar and keyboard, some traditional video x fading and live sampling… t’was the BUSINESS - although some say it went on for aaages -> the longer the better imo - the drum line mixing was sick… the whole fact that they were making a live amalgamation of music + the video’s audio tracks WHILST all being thematically constructed was too ill. one fat live mash up with context -> its what VJing is all about and I think they did it fantastically.
the way they used the screen [three main projections/two slide projectors at each end/one 16mm] was an approach… which worked well… [I'm not sure how the hell I would organize media to fill a screen that big] but I think that the screen offered a lot more possibilities than they explored. but hey it was wicked anyway.
one thing that must be said about the screen is that dfuse absolutely KILLED IT! - their current-urban-situation-in-the-east theme was powerful and carefully selected [a koyaanisqatsi that detailed the East from an outsiders view [a subject more foreign than NY taxi cabs to a western audience]. mate! their footage looked like it had been shot with super super hi def kit which made the whole set sing on that screen - I mean it was an astounding difference from the surgeons definition. but seriously -> being completely engulfed by a multitude of urban scenes with all the minutiae visible was simply an amazing experience. the set did feel a tad short [no doubt because of the length of the previous set].
however, on the flip side was hexstatic, where all the visuals [bar pulse and the onedotzero plug stuff] were seriously suffering from being blown up so big from their original format that it was like watching photocopied video, which looked quite insane at some points especially during timber - mahoosive pixels! a few technical hitches on hexstatic’s side meant that the whole night ended a bit abruptly - which was a real shame, but with all the equipment, sockets, cables to deal with it’s bound to happen to everyone at some point. that reminds me how ill the surgeons were at keeping it all together - there was one lil snag [wrong video/audio clip played or something] but with the nature of their VJing - you can probably get away with quite a lot as there is usually so much going on.
hexstatic killed it with the musical beats but not really on the video side - it’s a film with a phillip glass soundtrack. it’s like high speed nature vs. man footage put to music for about 2 hours, filming people going up escalators with overcranked film etc. it’s silent like a silent documentary of the western world during 80’s. it is similar to dfuse’s ’surface’ but the whole point of ’surface’ is that it’s about looking at the asian urban situation in 2008 from an outsider’s view - but with insider’s knowledge [they collaborated with local artists].
in the end -> the dfuse IMAX version of surface and the light surgeon’s U.S. documentary sets were the better - better tailored for the nature of the imax setting. [hexstatic [as always] rocked the place - but when you can’t move it’s like damn!@%]]
Links:
onedotzero
The Light Surgeons
d-fuse
Hexstatic
CF crew
Hexstatic - Timber
Spend USD 100 at a local bookstore, and USD 68 of that money stays in the local community; spend the same amount at a national chain, and only USD 43 stays near home. That's one of the driving arguments behind IndieBound, a new online community dedicated to promoting independent bookstores.
Publicly launched this fall by the American Booksellers Association, IndieBound's mission is to help people across the United States share and find independently owned businesses in general, starting with bookstores. Users of the IndieBound community can search for, add and comment on bookstores, append interest tags or other descriptions, and become fans of those they love. Like-minded users can connect as friends, and points are awarded for participation on the site—those who earn 100 or more are eligible to win periodic randomly drawn prizes. The Indie Bestseller List is reported weekly by independent booksellers across America, while the Indie Next Lists—one for grownups and one for kids—feature bookseller recommendations. Users can then create wish lists of the books they'd love to have.
IndieBound lists only brick-and-mortar stores, and only those in the United States. One to bring to independent-minded shoppers in your neck of the woods....? (Related: Online bookstore with a voyeuristic twist — 24-hour spotlight for indie artists — Indie music for kids.)
Website: www.indiebound.org
Contact: www.indiebound.org/contact
Spotted by: Emma Crameri
In the heart of downtown Toronto lies the ever expanding Dundas Square, Canada’s answer to New York’s Times Square. In this popular location JWT Toronto on behalf of Johnson & Johnson’s Tylenol brand posted a large backlit board with an eye catching execution of a man suffering from a bad headache. To emphasize his pain, a large wrecking ball, suspended from a 3D crane above the board, has smashed through, and stuck in the man’s forehead.
Advertising Agency: JWT, Toronto
Creative Director: Martin Shewchuck
Creative Group Head
Copywriter: Colin Winn
Art Director: Craig Markou
Photographer: Patrick Nichols
A Partridge in a Pear Tree, by HelloVon
Christmas is, as most blog-readers around the world know, a time for giving and, we hope, receiving presents. However, there are, of course, those not fortunate enough to be sat indoors perusing the world wide web and its many wares, for whom Christmas represents a miserably cold and lonely time of year: homeless people. It is with those less fortunate than themselves in mind that the big-hearted folks at London-based design agency Studio8 Design have cooked up a festive art event, The 12 Days of Christmas, to raise money for the UK’s premier housing and homeless charity Shelter.
Four Calling Birds, by Tom Gauld
For the project, Matt Willey and Zoë Bather at Studio8 Design have commissioned 12 image makers (including HelloVon, Tom Gault, Astrid Chesney, Adrian Johnson and Si Scott) to each illustrate a line from the well known Christmas song The 12 Days of Christmas. The 12 illustrations will be exhibited as 12 large format 80 x 60cm prints (printed by Granite Colour) at the exhibition which will run for one night only on 3rd December. As well as sales of the one-off prints, money will also be raised for Shelter by the sale of packs of 12 A6 cards (also printed by Granite Colour on paper provided by Fedrigoni) featuring the illustrations.
Two Turtle Doves, by Douglas Bevans
The full list of artists is thus: Sophia Augusta, Douglas Bevans, Chris Bianchi, Bill Bragg, Astrid Chesney, Tom Gauld, Robert Greene, HelloVon, Adrian Johnson, Michael Kirkham, Steph von Reiswitz and Si Scott.
The open event will take place on 3rd December, from 6-9pm at The Gallery at Poke London, Biscuit Building, 10 Redchurch Street, London E2 7DD. Please find an invitation at studio8design.co.uk
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